Title
Abstract
Preface
The Anatomy of a Frame
Instances of Frames
Conclusion & Acknowledgements
Bibliography


(fig. 32) Author Unknown, Origin of the term pigeonholing, July 20 2008, BenFrantzDale
<< Table of Contents

Bibliography

  1. “Frame,” in Oxford Learner’s Dictionaries, n.d., https://www.oxfordlearnersdictionaries.com/definition/english/frame_1?q=frame.

  2. rantmonster2319, “Finsta,” in Urban Dictionary, June 16, 2016, https://www.urbandictionary.com/define.php?term=Finsta.

  3. Dave Chapelle: Killin’ Them Softly, 2000.

  4. Owen S. Good, “UFC Pay-per-View Streamed on Twitch by a Guy Pretending It Was a Video Game,” n.d., https://www.polygon.com/2017/12/4/16733386/ufc-pay-per-view-streamed-on-twitch-by-a-guy-pretending-it-was-a-video-game.

  5. “Secret Life of the Cat: The Science of Tracking Our Pets,” June 12, 2013, https://www.bbc.com/news/science-environment-22821639.

  6. Simone Niquille, “The Fragility of Life,” Nieuwe Instituut (blog), July 13, 2017, https://nieuweinstituut.nl/en/articles/fragility-life.

  7. Allan Sekula, “The Body and the Archive,” October 39 (1986): 3–64, https://doi.org/10.2307/778312.

  8. Marie Svoboda, Caroline Cartwright, and J. Paul Getty Museum, eds., Mummy Portraits of Roman Egypt: Emerging Research from the APPEAR Project, First edition (Los Angeles: J. Paul Getty Museum, 2020), https://www.getty.edu/publications/mummyportraits/part-one/9/.

  9. Sam Fogg and Peter Schade, “How We Look at Art: Frames and Framing,” https://www.youtube.com/watch?v=7Hwdf3NnhvI&t=2227s&ab_channel=LondonArtWeek.

  10. Fogg and Schade.

  11. Unknown, “Marginalized,” Lapham’s Quarterly, n.d.

  12. Lilian M. C. Randall, “The Snail in Gothic Marginal Warfare” 37, no. 3 (1962): 358–67.

  13. “Graphic Design and Visual Culture in Europe 1890-1945,” n.d.

  14. Marshall McLuhan and W. Terrence Gordon, Understanding Media: The Extensions of Man, Critical ed (Corte Madera, CA: Gingko Press, 2003); “Graphic Design and Visual Culture in Europe 1890-1945,” n.d., https://www.gla.ac.uk/myglasgow/library/files/special/teach/privatepress/kelmscott.html.

  15. @Locwittati, Twitter, January 24, 2024, https://twitter.com/Locwittati/status/1748311952089026797.

  16. Richard Whiddington, Did Duchamp Steal Credit for ‘The Fountain’ from a Woman Artist? (blog), October 25, 2023, https://news.artnet.com/art-world/duchamp-fountain-dispute-2379304.

  17. Klara Liden, Sadie Coles HQ, February 22, 2024, https://www.sadiecoles.com/artists/klara-liden/.

  18. Antoni Ferrer, “Exactitudes - Curator, London,” n.d., https://exactitudes.com/about/.

  19. Simone De Beauvoir, Constance Borde, and Sheila Malovany-Chevallier, The Second Sex (Place of publication not identified: Knopf Doubleday Publishing Group, 2012).

  20. Judith Butler, Gender Trouble: Feminism and the Subversion of Identity, Routledge Classics (New York: Routledge, 2006).



Bibliography

  1. “Frame,” in Oxford Learner’s Dictionaries, n.d., https://www.oxfordlearnersdictionaries.com/definition/english/frame_1?q=frame.

  2. rantmonster2319, “Finsta,” in Urban Dictionary, June 16, 2016, https://www.urbandictionary.com/define.php?term=Finsta.

  3. Dave Chapelle: Killin’ Them Softly, 2000.

  4. Owen S. Good, “UFC Pay-per-View Streamed on Twitch by a Guy Pretending It Was a Video Game,” n.d., https://www.polygon.com/2017/12/4/16733386/ufc-pay-per-view-streamed-on-twitch-by-a-guy-pretending-it-was-a-video-game.

  5. “Secret Life of the Cat: The Science of Tracking Our Pets,” June 12, 2013, https://www.bbc.com/news/science-environment-22821639.

  6. Simone Niquille, “The Fragility of Life,” Nieuwe Instituut (blog), July 13, 2017, https://nieuweinstituut.nl/en/articles/fragility-life.

  7. Allan Sekula, “The Body and the Archive,” October 39 (1986): 3–64, https://doi.org/10.2307/778312.

  8. Marie Svoboda, Caroline Cartwright, and J. Paul Getty Museum, eds., Mummy Portraits of Roman Egypt: Emerging Research from the APPEAR Project, First edition (Los Angeles: J. Paul Getty Museum, 2020), https://www.getty.edu/publications/mummyportraits/part-one/9/.

  9. Sam Fogg and Peter Schade, “How We Look at Art: Frames and Framing,” https://www.youtube.com/watch?v=7Hwdf3NnhvI&t=2227s&ab_channel=LondonArtWeek.

  10. Fogg and Schade.

  11. Unknown, “Marginalized,” Lapham’s Quarterly, n.d.

  12. Lilian M. C. Randall, “The Snail in Gothic Marginal Warfare” 37, no. 3 (1962): 358–67.

  13. “Graphic Design and Visual Culture in Europe 1890-1945,” n.d.

  14. Marshall McLuhan and W. Terrence Gordon, Understanding Media: The Extensions of Man, Critical ed (Corte Madera, CA: Gingko Press, 2003); “Graphic Design and Visual Culture in Europe 1890-1945,” n.d., https://www.gla.ac.uk/myglasgow/library/files/special/teach/privatepress/kelmscott.html.

  15. @Locwittati, Twitter, January 24, 2024, https://twitter.com/Locwittati/status/1748311952089026797.

  16. Richard Whiddington, Did Duchamp Steal Credit for ‘The Fountain’ from a Woman Artist? (blog), October 25, 2023, https://news.artnet.com/art-world/duchamp-fountain-dispute-2379304.

  17. Klara Liden, Sadie Coles HQ, February 22, 2024, https://www.sadiecoles.com/artists/klara-liden/.

  18. Antoni Ferrer, “Exactitudes - Curator, London,” n.d., https://exactitudes.com/about/.

  19. Simone De Beauvoir, Constance Borde, and Sheila Malovany-Chevallier, The Second Sex (Place of publication not identified: Knopf Doubleday Publishing Group, 2012).

  20. Judith Butler, Gender Trouble: Feminism and the Subversion of Identity, Routledge Classics (New York: Routledge, 2006).



Conclusion

Frames are everywhere, they are a an (in)visible structure that holds context and can be used to create and derive narrative. They influence the way we perceive the world around us, for better or for worse. It is important to be aware of the frames that surround our lives to get a better understanding of the things we engage with.

Bibliography

  1. “Frame,” in Oxford Learner’s Dictionaries, n.d., https://www.oxfordlearnersdictionaries.com/definition/english/frame_1?q=frame.

  2. rantmonster2319, “Finsta,” in Urban Dictionary, June 16, 2016, https://www.urbandictionary.com/define.php?term=Finsta.

  3. Dave Chapelle: Killin’ Them Softly, 2000.

  4. Owen S. Good, “UFC Pay-per-View Streamed on Twitch by a Guy Pretending It Was a Video Game,” n.d., https://www.polygon.com/2017/12/4/16733386/ufc-pay-per-view-streamed-on-twitch-by-a-guy-pretending-it-was-a-video-game.

  5. “Secret Life of the Cat: The Science of Tracking Our Pets,” June 12, 2013, https://www.bbc.com/news/science-environment-22821639.

  6. Simone Niquille, “The Fragility of Life,” Nieuwe Instituut (blog), July 13, 2017, https://nieuweinstituut.nl/en/articles/fragility-life.

  7. Allan Sekula, “The Body and the Archive,” October 39 (1986): 3–64, https://doi.org/10.2307/778312.

  8. Marie Svoboda, Caroline Cartwright, and J. Paul Getty Museum, eds., Mummy Portraits of Roman Egypt: Emerging Research from the APPEAR Project, First edition (Los Angeles: J. Paul Getty Museum, 2020), https://www.getty.edu/publications/mummyportraits/part-one/9/.

  9. Sam Fogg and Peter Schade, “How We Look at Art: Frames and Framing,” https://www.youtube.com/watch?v=7Hwdf3NnhvI&t=2227s&ab_channel=LondonArtWeek.

  10. Fogg and Schade.

  11. Unknown, “Marginalized,” Lapham’s Quarterly, n.d.

  12. Lilian M. C. Randall, “The Snail in Gothic Marginal Warfare” 37, no. 3 (1962): 358–67.

  13. “Graphic Design and Visual Culture in Europe 1890-1945,” n.d.

  14. Marshall McLuhan and W. Terrence Gordon, Understanding Media: The Extensions of Man, Critical ed (Corte Madera, CA: Gingko Press, 2003); “Graphic Design and Visual Culture in Europe 1890-1945,” n.d., https://www.gla.ac.uk/myglasgow/library/files/special/teach/privatepress/kelmscott.html.

  15. @Locwittati, Twitter, January 24, 2024, https://twitter.com/Locwittati/status/1748311952089026797.

  16. Richard Whiddington, Did Duchamp Steal Credit for ‘The Fountain’ from a Woman Artist? (blog), October 25, 2023, https://news.artnet.com/art-world/duchamp-fountain-dispute-2379304.

  17. Klara Liden, Sadie Coles HQ, February 22, 2024, https://www.sadiecoles.com/artists/klara-liden/.

  18. Antoni Ferrer, “Exactitudes - Curator, London,” n.d., https://exactitudes.com/about/.

  19. Simone De Beauvoir, Constance Borde, and Sheila Malovany-Chevallier, The Second Sex (Place of publication not identified: Knopf Doubleday Publishing Group, 2012).

  20. Judith Butler, Gender Trouble: Feminism and the Subversion of Identity, Routledge Classics (New York: Routledge, 2006).