Let me start out like so many others; we live in a fast-paced world bla bla bla. We diverted from the path without looking up, technology took off, yet somehow we still patiently await the flying car. I want to disregard the good and the bad of technology, go back to before we diverted, and put human and nature back in focus.
The Danish book Ny Jord â Tidskrift for Naturkritik (New Earth: Journal of Nature
Criticism) by Peter
Meedom and Jeppe Sengupta Carstensen, came to life based on a desire to establish a new critical
concept â Nature
CriticismNature Criticism explores the
connection between human and nature, whilst viewing the two as inseparable entities.
. âThe preconditions for nature criticism, we believe, are once and for
all to move beyond the
idea that human beings and nature are separated or can in any way be kept apart.â
(Meedom). I want to add to this conversation by bringing
ecofeminism ☞Ecofeminism is a branch of feminism which
examines the
connection between women and nature. Its name was first coined in 1974 by French
feminist Françoise dâEaubonne.
It used the basic feminist tenets of equality between genders, a revaluing of
non-patriarchal or nonlinear
structures, and a view of the world that respects organic processes, holistic
connections, and the merit of
intuition and collaboration (Miles).
to the table as a hot topic, because just like we canât separate the human
from nature, we canât
separate womenâs oppression from the domination of nature.
âMother Natureâ is thrown around without hesitation, yet somehow down the line we forgot what
that embodies. The
personification of nature has deep roots entangled with the image of the Mother, and within the
patriarchal
worldPatriarchy refers to the greater
aggregate power that men have over women and further genders, in terms of social,
political, economic and
hierarchies of power between individual men and groups of men (Strid, and Hearn).
the understanding of womanhood and the mother has been welded together. This
type of thinking has
ties to our culture, our ancestry and the Collective Unconscious, and with the Danesâ mindset
turning more and more
individualistic, I will through various ways of thinking, lay the groundwork to explore the
evolution of womanhood
and the interrelations to the enchanted forest. With the forest as a symbol of nature, I will
focus on the Danish
landscape, with the aim of understanding when this deep entanglement started to drift apart.
Through historical
roots, mythology, Queens of the Monarchy, Hysteria, and a nationwide wolf hunt I will offer a
brief insight into the
wilderness of my entangled thoughts of the Danish wild womanhood. Who is she?
Along the way, many terms will be defined to assure we are on the same pathFor definitions I have relied on online
encyclopedia.
. Allow me to ask questions with no answers, contemplate and contradict my
words, and possibly leave
you hanging. Iâm only human. Let your soul lead the way.
Itâs important to note that my observations, judgments and thoughts are based on my heritage
and upbringing in
Denmark and Germany, as a white woman.
We live in a part of the world designed and curated by white men for white men (Northern
Europe), and with western
patriarchy tightly knit with colonialism, deep-rooted marks have been left on a great deal
of the worldWhilst still noting there
are
matrilineal societies in
the world to this day which have not been deeply westernized (Nelson).
. An example is how we perceive the meaning of womanhood, despite the
occasional (read; widespread)
ignorance, or as Carl Jung calls it; our Collective Unconscious. Which is the theory that a
part of the mind
contains memories and impulses, which are based on archetypical personalities that are
perceived as universal
symbols and representations of the common human experiences and emotions (The Editors of
Encyclopedia Britannica).
Key here is the unawareness of these instincts, which correlates well with the ideas that
tend to disregard our
ancestral experiences as sources of knowledge, a sense of guidance
through the wild world.
Languages, cultures and mythologies have through centuries personified Earth and Nature via
the portrayal of the
Mother and/or GoddessesTo name a few; the Akan
Mythology,
Asase Ya, also known as Abrewa, in Sumerian Mythology;
Nihursag, the Goddess Gaia from Greek Mythology, and in Norse Mythology, although
not mentioned often in
stories, the mother of Thor and Odin; JÜrð old Norse for soil/earth.
. She flows through the trees, dances in the air,
nurtures the ground and kisses your cheek with a
breeze. Coincidentally the word nature is derived from the Latin natura,
which in ancient times meant
birth. The characteristic of the Mother archetype is nurturing, life-giving, a
natural caretaker, and if
Mother births and birth means nature, itâs fair to say there is little to no room of
escaping the metaphor. But this
is not about Mothers, itâs about womanhood and nature as a whole, it is
about us.
Womanhood âthe state or condition of being a woman, the qualities considered to be natural or characteristics of a woman, and women considered collectivelyâ and to be a woman? âAn adult female human being.â. Great, thanks Google. But what does it mean to be female? The aim of this is not to discuss sex, gender, binary or the non-binary, however, it is crucial we have mutual understanding â between author and reader. Womanhood and the feeling of being woman does not have to do with what is defined as biological sex. To be women does not mean to be female, therefore, I choose to reject the google definition of women. Yet it is crucial to acknowledge the base of research that grounds the stereotypes are based on women with wombs. This is an effort to reclaim the meaning of women and womanhood.
Letâs visit our friends Eve and Adam, most of us know the story; Eve ate an apple (pardon me
- forbidden fruit of
the tree of knowledge and good and evil) because a serpent convinced her (stupid snake), and
Adam followed not long
after. God â of course â found out because âHeâ sees all, and âHeâ punished the female body
with bearing child, and
excruciating pain at childbirth (labor), and the male body with the oh so very labor
(ironic) intensive work of
grooming the âaccursedâ grounds aka Earth. This can easily be explained as the birth of the
patriarchyMen = grooming earth
Earth = nature
Nature = birth
Birth = Mother
Mother = woman
Men = grooming women
.
Whether we choose to believe the stories of the Bible or not, there have been people around
for a long time, and
somehow, we agreed on the discourse of the earliest tools humanity made were weapons. From
the early Stone Age tools
being hammerstones and sharp stone flake, to the advancement of the middle Stone Age with
spears, awls and scrapers
(Smithsonian Institution's Human Origins Program). The symbol of hunting and killing
accompanied by the male
heroThe archetype of the hero is a
character who acts as a force of the greater good, defending those weaker than
themselves to the point of
self-sacrifice. Theyâre usually elevated above those around them in some way,
whether thatâs through a
superpower or magical advantage, or through an exemplary personal trait such as
great courage or compassion
(Callaghan).
, the prey and the gasp-worthy story of the hunt. In her text, The
Carrier Bag Theory of
Fiction, Ursula K. Le Guin offers a rewrite of our narrative by proposing that the
first tool was a tool for
gathering, holding and containing, a recipient. Questioning the stereotypical role of
survival, offering the
narrative of humankind as gatherers and harvesters (women) rather than hunters and killers
(men). I would propose
this narrative has never been told due to the lack of tangible evidence, as I can only
imagine the material of the
recipients could not stand the test of time and have become lost evidence. She knows the souls and spirits from
before your time. She knows neglect. Maybe even our hands can be seen as the
first recipients, but with that comes
no great plot for storytelling. I choose to reject the killer story and embrace what has
been neglected for too
long, the steady story. The part which offers the recipient as the source of survival. The
narrative of the
gatherers.
âThe trouble is, weâve all let ourselves become part of the killer story, and so we may get finished along with it. Hence it is with a certain feeling of urgency that I seek the nature, subject, words of the other story, the untold one, the life story.â (Le Guin, 2). The relation of womanhood and nature is a bond we cannot neglect, yet we have become greatly separated from our ancestors, lost connection to the forest and the deep-rooted marks are feelings of emptiness I believe we seek fulfilment within. She knows the true wild woman.
Before Christianity entered the waters of Denmark, it was mythological Goddesses and Gods
from Norse Mythology
which guided the people of the Viking era (McCoy, âNorse Mythology for Smart People.â). The
myths serving as the
fundament of the belief were communicated through odesA type of
lyric poetry,
which elaborates structured poems praising or glorifying an event or
individual, describing nature intellectually as well as emotionally.
and sagasThe word means story, tale
or history
and usually refers specifically to the Prose
narratives.
, passed down by our ancestors through tales and stories. The believers of
Norse mythology saw the
world as enchanted, with no need to seek salvation, and found
peace living with nature, the enchanted forest and its
spirits. Yet still not truly free. A time where gatherers and
the patriarchy coexisted. She was thriving. Running
through the forests, swimming in the lakes. As the worldâs population grows, many
seek the city high, and the
closest we now get to living in an enchanted forest is the âstupid walk for my stupid mental
healthâ or our
domesticated house plants, usually far from native to the land. I mean, who doesnât know
someone with a monstera
living in the corner of their living room? (Guilty as charged).
The Swedes and Norwegians have their mountains and what seems to be never-ending forests,
where folklore and
fairytales are thriving and spreading like fairy dust. Today in Denmark we donât have the
same scale of geographical
featuresIn my opinion Greenland
and the Faroe
Islands are not ours to claim.
and I find myself asking: Where is the fairy dust? Donât get me wrong,
tales are told, stories are
passed on, and we have a whole lot of coasts, but it seems the tales of the seas stayed with
the sailors and never
made it on land to stay. She is with us. Might seem long gone but she
is there. Our enchanted forests have been
domesticated into agricultural land, and the forest which remains has been suffocated from
all mystery and magic.
Brewing by the shores, deep in the soil by the roots of the
trees. The vast majority of our forests have been
tampered with, whether it is due to monoculture or storm secure, the Danish wilderness is
far from wild. No place
left to run. Whilst the enchanted forests turned into agricultural masses of land
and waved goodbye to its magic,
the oppression of women continued to thrive. This is not an issue specific to Denmark, it is
a concern throughout
the world, Denmark is just such a beautiful example.
In Jelling you find the marked in King Harald Bluetoothâs runestone from 965, the declaration of Christianity (âChristianity Comes to Denmark.â). Changing our mythology of how we view the world does not happen overnight, and the first Christian mission dates to around 710, meaning between the 6th century and the late 10th century, Christianity found a way to gradually co-exist with the Nordic Goddesses and Gods. Over time Christianity pushed the spirits out the way, where previously we found peace with the wilderness of the forest, suddenly a promise of salvation was created, and we sought validation and acceptance through the church. What remained of her was left behind. Our ancestorial connection to the land started to drift as we no longer sought salvation within ourselves, and the myths of the Goddesses, Gods, spirits and the enchanted forest became tales told at night rather than a deeply rooted belief system.
The Danish Kingdom is one of the oldest in Europe and the second oldest monarchy in the
world, and the past two
generations have experienced growing up with H.M. Queen Margrethe the 2ndâs New
Yearâs speech for the
past 52 years. In 1387, Margrete the 1st was unofficially appointed as the first
Queen with ruling
powerâNo woman had ever
reigned as
Denmarkâs queen, but Margaret didnât let a few laws of succession stand in the
way. She adopted her
six-year-old nephew and had herself named the âsovereign ladyâ of Denmark and
Norway. When the Swedish nobles
agreed a month later to accept Margaret as their ârightful master,â they dubbed
her âLady Kingâ.â Through
time, the term Lady King turned into a way of recognizing her abilities (Gottlieb,
221).
(âThe Transition to Christianity - National Museum of Denmark.â). She
unified Denmark, Norway and
Sweden by the union of Kalmar, but recent discoveries found that she might not have been the
first highly
influential Queen of Denmark. Turning the time back to the gruesome actions, which we now
know as the tales of the
Vikings, we meet Gorm the Old and Queen ThyraInteresting to point out
is the fact that Harald Bluetooth was the son of Thyra and Gorm, and
some believe he was the first King of Denmark due to uncertainty of the land mass
his parents ruled over,
whereas others count his parents as the first King and Queen of the Kingdom of
Denmark.
who came to power around 936. The discourse of the regent couple until
this point placed Gorm as
the man in charge, however a new research article suggests that Thyra had far more power
than previously considered,
suggesting what we thought was fact mightâve been factoidFactoid is a piece of unreliable
information that is reported and repeated so often that it
becomes accepted as fact.
. In reality, we donât know much with certainty about Gorm.
Eleventh-century historian Adam of
Bremen suggests he was a âStranger Kingâ from Norway or Normandy. The late twelfth-century
historians Sven Aggesen
and Saxo Grammaticus have described Gormâs as weak and lazy, whereas the Norwegian sagas
believe him to be a
talented warrior (Imer). The main source of documentation we have from their time are 250
runestones, and donât get
me wrong; there are many but not a whole bible worth of rocks â but the text sure is set in
stone.
The article published by Cambridge University Press on behalf of Antiquity Publications LTD., is based on deep analysis of runestones, by utilizing 3D scanning to study carving patterns through rhythm, combined with geographical distribution, orthography and language usage. âThe mentioning of Thyra on no fewer than four runestones is unparalleled in Viking-Age Denmark. In comparison, it is remarkable that Gorm is named on only a single stone â and there accompanied by Thyra. Not even her famous son, Harald Bluetooth, is mentioned on that many stones.â (Ibid). To my understanding the objective has been to establish a greater likelihood that the Thyra mentioned on four runestones was indeed the same and not two different women. It makes me wonder why it has been so hard to accept the conspiracy of it being the same woman in the first place. There is great uncertainty about the persona of Gorm, so why has it seemed so distant to hypothesize Thyra as a woman with great power? Hypothetical answer: the patriarchy. It seems very plausible that women of power have been disregarded and written out of our history to allow for the continuation of the hero narrative.
I believe it is about the discourse of what we choose to accept, and if we choose to accept the runestones as âgranite manifestation of status, lineage and power, we may suggest that Thyra was indeed of royal, Jutlandic descent.â (Ibid). This discovery has allowed for reconsideration of the role of the elite Viking women who possibly held significant political power. Lisbeth M. Imer, researcher and author with a specialism in the Middle Ages and Renaissance says; "we shouldn't rule out the possibility of women being able to hold power in their own right.". Having women of the elite have the ability to own land is nothing new in Western Europe, however now Denmark can be added to the list and the collective history of the country needs to be rewritten. A speck of hope? We âknowâ Gorm was said to be a stranger King, and this only fuels the hypothesis of Thyra being a powerful woman, a potential owner of large land mass. Could it in fact be their joint forces which put Gorm in the position of becoming King? We can only hypothesize, however given how much is based on hypothesis and here say, this is groundbreaking in terms of the womenâs influence, which has never been considered or taken seriously.
Something which persists today is the idea that to sit on a solid fortune you rely on a
workforce, introducing
feudalismFeudalism was the system
where people
were given land and protection by people of higher rank, and as payment, they worked
and fought for them.
, serfdomSerfdom is different
compared to
slavery, serfs were not traded and sold like property the way
slaves were. Serfs were however legally bound to the land they worked on, and only
if the land was traded
amongst lords/owners did the serfs shift owner/employer.
and Dane Lagu aka the Danelaw. From around the year 800, the Vikings were
raiding the coastlines of
Britain and Ireland, with the intention of conquering the four Anglo-Saxon Kingdoms of
England. Being successful and
conquering great areas of land, the ruling law became the Danelaw, whether what I am about
to tell you was
Anglo-Saxon law before or after the Danelaw, I am uncertain of, however, it is referred to
as the Anglo-Saxon law
and it allowed for women serfs to rule âtheir ownâ land (Federici). This does not mean men
and women were seen as
equals, the owner/employer/lord of the land had the authority to control the women serfsâ
lives, in terms of work
and marriage (Ibid). Gatherers but domesticated.
It is remarkable that Denmarkâs existence and big political moves could very well be due to two women. If we choose to accept the new findings as our narrative and discourse it means Queen Thyra played a much greater role of in the unification of kingdoms of Denmark than we thought.
We now claim space for women to be written into our collective history at a time filled with savages, looting, killing and the thriving narrative of the hero. This rewrite of history does not mean the narrative of the gatherers does not remain for the common folk, after all the spirits and the enchanted forest were still there. Let me hypothesize; to compete with the elite domination of the hero, the Mother has had to hide â disregard the narrative of the gatherer and the longing for the enchanted forest. They have had to put themselves in a position of authority, and if authority is man, then how do we rewrite the narrative so strongly imposed for the position of the women? She is furious. Furious in silence. By your side but you donât see her. The elite woman has had to claim space, already in a position of authority, allowing protection compared to the common woman â this does not by any means mean it was easy. Besides from the authority of the Mother (or more so marriage (so the authority of the man), because who dared to give birth without a husband?!), how does one tackle the authority of the hero? Speaking up. Being a woman with a voice often â even to this day â lands you in the stereotype of loud, obnoxious and irritating, yet somehow it seems that we have made no archetype for âthatâ type of person. But âweâ sure have found a word we like to use: Hysterical. Let the brewing begin.
Hysteria has a loaded history, worthy a whole thesis, and has been used as a tool to control womenâs behavior and bodies, causing countless misdiagnoses and violet mishandling of trauma throughout our time. The Danish vocabulary even has a word for the so-called âhysterical womanâ: Hystade, which to this day is used derogatorily towards women. Hysteria comes from the Greek Hysteria which means womb. Originally it was defined as a neurotic condition peculiar to women and thought to be caused by a dysfunctional uterus (âHysteria | Etymology of Hysteria by Etymonline.â). Individuals with wombs have different hormonal cycles compared to individuals without wombs, to be more precise; an individual with a wombâs cycle is about 28 days, whereas an individual without a womb? 24 hours (Verhofstede). Let me paint you a picture, it might not be fully scientifically true, however this is where my logic brings me; if being moody and irritable is only a percentage of the cycle, that means womb carriers have mood swings which can last a couple of days, where for the none-womb carriers it might just be a hot minute, and we move on. No wonder men didnât know what was going on, there were very few womb-carriers voices being heard, so to diagnose women with the âissueâ of literally being a woman, probably seemed very legitimate from their perspective.
An era which has been marked as the era of mass hysteria in Europe is the end of the 16th century â the witch hunts. The hunt of the few wild-spirited women. Denmark was no exception. This is one of the many pivotal moments for women. As a society which has survived based on gatherers and harvesters, the patriarchy found a way of scaring women out of the enchanted forest. In 1917, King Christian the 4th prohibited all types of practice of magic, both black and white magic â good and evil â by deeming practicing a crime, and all Danes had the responsibility to raise trials (God). Silence. Based on the remaining documentation, around 1,000 people were killed under conspiracy, and I believe along with them died the thousands of years of gathering knowledge which had been passed down through generations. A silent discomfort. An educated woman of her time might have had great knowledge about harvesting and gathering, and I would not be surprised if those were the exact women who were first in line for the witch trials.
This hunt is gruesome in so many ways which can never be fully comprehendible, and yet as we speak about it, we forget to address the years it put women back in society. I believe it is in this time of history in the West, where it becomes far beyond reasonable doubt to hypothesize that the oppression of women and the domination of the forest is due to the patriarchy. Let me explain; the fear of setting foot in the forest, harvesting items of potential suspicion, and being a little âtooâ independent could immediately get you burnt at the stake. Women were bound to the walls of the ones lucky enough to have a roof over their heads, in fear for their life, and if this does not fall in under the definition of domesticated, I simply do not know what does. I would argue this fear is still in us, as a type of ancestral trauma (Santos). And the forest you might ask? Without women telling the fairytales, sharing years of knowledge as gatherers through time of the enchanted forests, it was left in the hands of the hunters. The gatherers narrative was pushed out of our collective story by the heroâs narrative. What once was the enchanted forest became the forest of wilderness, with animals either to be killed or domesticated. Either way, the forest was now in the hands of mankind (read; man). The few that did wander out into the forest most likely made sure to never mention the power of the herbs around them too loudly every again. The last enchanted traces. Kept locked in the memories of few.
As a revival of the archetypes, the wild woman was introduced by Clarissa Pinkola EstĂŠs in
1992 in her book
Women who run with the wolves. The wild woman has untangled herself from the norms
imposed by the
patriarchy and relearnt to embody her true instincts and intuition. She is a powerful
source; creative, spontaneous,
courageous, sensual, unapologetic, untamedUntamed means not
domesticated or
otherwise controlled.
and with a deep connection to nature. The independent fairytale-like
women society has deemed as
mythical creatures. The woman we have been taught to be afraid of. Be
careful! She might swallow you whole. She is
the woman who has escaped domestication. I choose the word ârevivalâ because I believe this
archetype of women has
been around and we have been suppressing them through generations. Open
the cage. Let her out.
EstĂŠs draws parallels between the wild woman and wolves through myths and storytelling, arguing we share similar autonomy. âThey are experiences in adapting to constantly changing circumstances; they are fiercely stalwart and very brave. Yet both have been hounded, harassed and falsely imputed to be devouring and devious, overly aggressive, or less value than those who are their detractors. They have been targeted of those who would clean up the wilds as well as the wildish environs of the psyche, extincting the instinctual, leaving no trace of it behind.â (EsteĚs, 2).
Ironically enough the âlastâ wolf to roam the Danish forests dates back to 1824, and with the last wolf passing we had eliminated the only true wild thread on the Danish land, besides from falling trees and our fellow humans (âWolves Return To Denmark.â). After 1625 which marks the âofficialâ end to the witch trials in Denmark, the forest was a wild place for a while. A hunting ground. It wasnât long till the âneedâ for taming the forest became the goal of the hunters, and with the wolf as the only larger threat to society it became the target. After the forced extinction of the wolf, the only threats were the occasional fox stealing chickens and one poisonous snake. We put mankind (read; man) at the top of the rank and empowered the image of the hunters. The hero narrative once again - fueled. If there is no direct threat from nature, we lack respect especially because we have become too detached. It isnât until we are faced with fear we tread carefully.
The wolf is now returning to Denmark. After 199 years, in 2013 the first wolf was sighted, and in 2017 the first pack was established by a female wolf which wandered over the border from Germany (Ibid). Now, approximately 80 wolves are roaming the forests of Denmark. I believe we should let this be a sign of the returning wild woman within us. Letâs embrace the autonomy of decision making. Dig her out. Itâs about time we run over the border within our minds and change the narrative that so desperately needs to be rewritten. Relearn to trust our intuition and instincts as women in a society where we for generations have been told to do the opposite. There is a danger in acknowledging dualism between womenâs oppression and the domination of nature (Plumwood), because by neglecting the decadency and on nature, one also neglects the narrative of the gatherers, witches and wild women within us. As humans we seek patterns, understanding and recognition within others. We seek a pack, a human instinct we have not fully neglected yet. We are pack animals that seek comfort, an escape from the fear of loneliness, and for a better chance of survival, but can a lone wolf thrive? No, but it can survive well on its own until it finds the right pack.
Is there a way in which we can learn to lose the connection between womanhood and hysteria? Can we turn our Collective Unconscious, conscious and acknowledge the lack of understanding and recognition of women? Can we introduce new archetypes which have yet to be accepted into our conscious and blend into the unconscious? Can we gain a deep understanding of who we are as women outside the patriarchy whilst still living in it? You donât have to go roll in dirt, heck you donât have to hug a tree, but have you tried? A lil tree hugginâ never hurt nobody. Seek comfort from the collective of womanhood, find your pack of people. There are ways in which we can find comfort and reconnect with our inner selves. What exactly this means for you I cannot say, it is something bigger than either of us. I believe truly only you can be the judge of what this means to you, whether you are the carrier of a womb or not.
The discourse of how we have understood the position of women through time has to change. We must understand the importance of how storytelling has shaped our history, and how the narratives of women have been twisted into silence. The narrative of the gatherers was taken over by the hero, the enchanted forestâs spirits, Goddesses and Gods were replaced with the story of Eve and Adam and the need of salvation, our rich knowledge of the forest vastly disappeared during the witch hunts, and we are now at a point of attempting to revive the archetypes through storytelling to change the trajectory of our collective narrative.
If we are to enter into conversation about nature criticism, the lack of acknowledgment between the ties of womanhood and nature has to be brought out from the deep dark area of neglect and into the light. It is a matter of allowing space for a new way of thinking and hypothesizing about how we behave as humans. A way of thinking which is not gendered, whilst still acknowledging biological differences, one which allows both the masculine and the feminine to be a part. It will have to do with a cultural shift of reclaiming meaning and challenging commonly accepted definitions and facts. Language is ever evolving so shouldnât our narrative be as well? Can we find a way of disconnecting the masculine with the male and the feminine with female, loose the derogatory quotations attached, or are we beyond the point of no return in more than one way? Can we create new groundwork for collective healing?
The goal is to move towards a normalization of autonomy in choice of behavior without the fear of judgement and neglect. Disregarding the derogatory gender norms and break way with the harsh shell of protection which we seek cover within. To move towards an understanding of the narrative of the gatherers, we need a seriously good paradigm-shift (if not multiple) in order to move above the archetypes which currently brew in our collective un/conscious. Afterall, it turns out my thoughts are not as entangled as anticipated. Who is she? I donât know, you will have to see for yourself.
Iâm grateful for all the people who have supported me through this process of writing,
questioning, and reflecting.
Mom, thank you for you. Dad, thank you, and for never losing touch with nature. Thank
you to the two of you for
always encouraging my thoughts and questions. Abbie, thank you for making sure my
thoughts made sense when I was blinded by my
own words. Dirk Vis, thank you for your guidance, and encouragement. Last
but not least, thank
you to my thesis group; Elisa de la Serna Gallego, Jade Akkerman, Stefa(niia) Bodnia and
BalĂĄzs MilĂĄnik, your
feedback through this process has been extremely helpful.
âChristianity Comes to Denmark.â National Museum of Denmark, en.natmus.dk/historical-knowledge/denmark/prehistoric-period-until-1050-ad/the-viking-age/religion-magic-death-and-rituals/christianity-comes-to-denmark/ Accessed 13 Jan. 2024.
EsteĚs, Clarissa Pinkola. Women Who Run with the Wolves: Contacting the Power of the Wild Woman. Rider, 2008.
Federici, Silvia. Caliban and the Witch: Women, the Body and Primitive Accumulation. Autonomedia, 2004.
Heise, Lotte. Hvorfor Er Kvinder SĂĽ Hysteriske. Lindhardt og Ringhof, 2016.
Le Guin, Ursula K. Carrier Bag Theory of Fiction. 1986. Ignota Books, 2019.
Meedom, Peter, et al. Ny Jord - Tidsskrift for Naturkritik. 2nd ed., Forlaget Virkelig , 2020.
Plumwood, Val. Feminism and the Mastery of Nature. Routledge, 1993.
Santos, Lara Silvia. Conversation over a Maxiato Love Sad at Anne&Max at Fahrenheitstraat, the Hague. âInterview byâ (read; Conversation with) Julie Werenskjold Sørensen, 2022.