Rhythm of Residing
BA Graphic Design Thesis 2020
Yessica Deira
This thesis tells a story of an European born-person from African descent, me. I’m reflecting on the urgency of healing, dwelling, memorising and forgetting, concerning postcolonial thinking and self-government. I feel disconnected from the country my grandparents come from because I wasn’t born there plus I don’t speak the language. How do I, born in Europe coming from African diaspora, deal with this process in the form of music? Is it even up to me to as a person of colour to find ways to improve postcolonial thinking?
I’m researching artists that experiment with sound and visuals in order to create new narratives within post-colonialism. By analysing musical lyrics and looking at visuals, I could relate it to my knowledge in contemporary music. Perhaps developing a clearer understanding of the country and the people I originally come from. Coming from a creative background moving more and more towards my musical needs, I question if music can be a greater part in the way we use the archive as we know it now as a tool for self-knowledge.
Part II: Contextualisation
Bibliography
- Alperson, P. (2008). The instrumentality of music.
- Azim, Z. (2015). A Milestone for Postcolonial Thought: Examining Art and Race in Florence and Venice. Retrieved from https://www.moma.org/explore/inside_out/2015/08/05/a-milestone-for-postcolonial-thought-examining-art-and-race-in-florence-and-venice/
- Chenu, B. (2003). The trouble I’ve seen: the big book of Negro spirituals.
- Creole. (n.d.). In Online etymology dictionary. Retrieved from https://www.etymonline.com/word/creole?fbclid=IwAR3PvbwDsNhATfKXar-FgF6uCV1ogtfkhjTHucFniIUf9zNaldGBXmBv1LI
- God zij met ons Suriname - Wikipedia. (n.d.). Retrieved from https://en.wikipedia.org/wiki/God_zij_met_ons_Suriname.
- Gilroy, P (1993). The Black Atlantic: Modernity and Double Consciousness
- Good, A. [Adam Good]. (2011, July 14). Becoming a DJ of thought [Video file]. Retrieved from https://www.youtube.com/watch?v=AYnZcrkyunE&fbclid=IwAR3JIo5AoWOUSolKRzNuljf34S1Xf3th8l0Ri85Ytyz2LF0Xn23L6QCgsIA
- Navas, E. (2018). Art, Media Design, and Postproduction: Open Guidelines on Appropriation and Remix.
- Raber, R. L. (2018). Conducting the Coded Message Songs of Slavery: Context, Connotation, and Performance Preparation.
- Rezaire, T. (2016). Peaceful Warrior, 2015 Retrieved from https://www.artbasel.com/catalog/artwork/44581/Tabita-Rezaire-Peaceful-Warrior
- Smith, L. T. (1999). Introduction. In Decolonizing Methodologies (p. 1). Zed Books.
- Van Dijk, W. (2018). Bokoedro leeft liever in de toekomst dan in het heden, en dat is begrijpelijk. Retrieved from https://www.vice.com/nl/article/3kyjv3/bokoedro-interview-2018